Jan 04
New England Runner magazine cover by George Ross

New England Runner magazine cover by George Ross

As a token of thanks to Providence College’s media athletic director, Jenn Rynearson, I offered to shoot the PC team competing in the NCAA Northeast Region Division 1 XC Championship held in Franklin Park in Boston on 11/14/2009. When I woke up that morning the weather was absolutely awful as Hurricane Ida developed into a classic Nor’easter and by the time that she was done, 7″ of rain had fallen in the Boston area. Just the thought of photographing an XC meet in a rainstorm gave me goose-bumps. I drove up to Boston in twice the time that it should normally have taken, got my rain gear on and tried to locate the PC Athletic trainer, Kristen Duhamel. Easier said than done in a torrential downpour, but I found Kristen standing in mud and  peering out under her rain hood as she cared for her team. Once I got the lie of the land it was time to get wet.

It was clear that my shoot plan had to be torn up because the mud was so deep that simply trying to walk with 20lbs of camera gear was going to be dangerous. I rarely use a monopod but today I did, not for camera stability but for my stability!!  Earlier on in the day 3,500 high school kids took part in the state XC championship and seriously cut up the course before the collegiate runners toed the line. The rain just never stopped – there was variation in intensity, but it never stopped. I was using two Canon EOS 40D’s, one paired with the fantastic 70mm-200mm L series IS f/2.8 and the other with a canon L series f/2.0 prime, the cameras were set to aperture priority, center-weighted exposure and hi-res jpegs, I seldom use RAW for large events. It was clear that lighting was going to be a challenge. During the men’s race that went off first, I used the 70mm-200mm set to f/2.8 with the ISO set to ISO 3200 (the maximum for the 40D)  but during the women’s race I had to switch to the prime because f/2.8 was simply not fast enough. The prime did not perform to well and my shot consistency was not that great but that is a problem with the 40D body and not the lens. The 40D is not as responsive to autofocus in combination with continuous speed shooting in low light conditions. I nearly overlooked the most important piece of equipment, the Aquatech rain jacket - if you ever find yourself struggling to pay $240 for a camera rain jacket, don’t even think about it and pay the money because as a sports shooter it will be one of your best investments.  Why? because it will get you shooting in conditions where others will fear to tread; and on this day, it got me a magazine cover.

View the photo gallery  from this muddy race

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Jan 03

Providence, RI,  has a wonderful new track and field facility at 90 Fricker Street, adjacent to Central High School, wonderful for everyone that is except the poor old sports photographer. Why? No other reason than the quality of the lighting. The new facility is ‘environmentally friendly’ and the lighting remains low when empty  and when more people  fill the gym  the lighting increases but not to the point where it is bright enough for great sports photography.  Ice hockey rinks put there lights on ‘full beam’ for tournaments but not so at 90 Fricker Street. There is no manual over-ride to increase the brightness of the lights for competitions so we sports photographers need to use high ISO levels, degrading the quality of our images,  to obtain a fast enough shutter speed for sport. So, resigned to this fact I upgraded my camera body from an EOS 40D to an EOS 7D to shoot the RI Classic Track and Field Invitational meet on December 30th, 2009 (Well, I will use that as the excuse for buying a new body).Most of my shots were taken at ISO 3200  but as the day progressed that was too slow as my shutter speed dropped to 1/125th, so I pushed the ISO rating to 5000 and ‘wow’ was I surprised at the image quality on the Canon EOS 7D, used in combination with a 70mm-200mm L series f/2.8 IS lens, absolutely fantastic.

In the future, I need not fear the poor gym lighting and will comfortably operate at high ISO levels while using the 7D.

I have attached 3 photos from the meet  – without any post-processing,  straight out the camera -  and for those with a pixel fixation I have included a couple of 100% crops to depict the noise levels and provide a comparison between the EOS 7D and EOS 40D body. You will note all the greater level of noise in the 40D example which is why the Fricker Street gym worried me so much; and now, thanks to the EOS 7D, it is much, much, less of a problem. Phew!

EOS 7D ISO3200 example

EOS 7D ISO3200 example

Canon EOS 7D ISO5000 example

Canon EOS 7D ISO5000 example

Canon EOS 7D ISO3200 100% crop

Canon EOS 7D ISO3200 100% crop

The following 100% crop is smaller due to the EOS 40D producing 10MP images compared to the 18MP which is produced by the EOS 7D

Canon EOS 40D ISO3200 100% crop

Canon EOS 40D ISO3200 100% crop

Now this is impressive, this a 100% crop from an  Canon EOS 7D  @ ISO 5000. When this is compared to the above crop from the 40D you can see why I am so excited.

Canon EOS 7D ISO5000 at 100% crop

Canon EOS 7D ISO5000 at 100% crop

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